drama critic - translation to greek
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drama critic - translation to greek

PROFESSIONAL WHO MAKES A LIVING COMMUNICATING THEIR OPINIONS AND ASSESSMENTS OF VARIOUS FORMS OF CREATIVE WORK
Critics; Critical reason; Criticism of the marketplace of ideas theory; Drama critic; Critisicm; Animadversion; Theater critic
  • 1916}}.

drama critic         
θεατρικός κριτικός
drama school         
  • Romanian students (Drama Club Botosani) in "The Taming of the Shrew"
SPECIALIZES IN THE PRE-PROFESSIONAL TRAINING IN DRAMA AND THEATRE ARTS
Higher education in theatre; Acting School; Stage school; Drama schools; School of Drama; Teaching drama; Acting classes; Acting program; Theatre school; Actor school; Actor training conservatory; Conservatory for actor training; Acting school; Drama Studies; Acting class
δραματική σχολή
θεατρικός κριτικός      
drama critic

Definition

Critic
·noun The art of criticism.
II. Critic ·noun An act of criticism; a critique.
III. Critic ·adj Of or pertaining to critics or criticism; critical.
IV. Critic ·vi To Criticise; to play the critic.
V. Critic ·noun One who passes a rigorous or captious judgment; one who censures or finds fault; a harsh examiner or judge; a caviler; a carper.
VI. Critic ·noun One skilled in judging of the merits of literary or artistic works; a connoisseur; an adept; hence, one who examines literary or artistic works, ·etc., and passes judgment upon them; a reviewer.

Wikipedia

Critic

A critic is a person who communicates an assessment and an opinion of various forms of creative works such as art, literature, music, cinema, theater, fashion, architecture, and food. Critics may also take as their subject social or government policy. Critical judgments, whether derived from critical thinking or not, weigh up a range of factors, including an assessment of the extent to which the item under review achieves its purpose and its creator's intention and a knowledge of its context. They may also include a positive or negative personal response.

Characteristics of a good critic are articulateness, preferably having the ability to use language with a high level of appeal and skill. Sympathy, sensitivity and insight are important too. Form, style and medium are all considered by the critic. In architecture and food criticism, the item's function, value and cost may be added components.

Critics are publicly accepted and, to a significant degree, followed because of the quality of their assessments or their reputation. Influential critics of art, music, theater and architecture often present their arguments in complete books. One very famous example is John Ruskin's Seven Lamps of Architecture and The Stones of Venice. Critics may base their assessment on a range of theoretical positions. For instance, they may take a feminist or Freudian perspective.

Unlike other individuals who may editorialize on subjects via websites or letters written to publications, professional critics are paid to produce their assessment and opinions for print, radio, magazine, television, or Internet companies. When their personal opinion outweighs considered judgment, people who give opinions, whether on current events, public affairs, sports, media or art are often referred to as "pundits" instead of critics.

Critics are themselves subject to competing critics, since the final critical judgment always entails subjectivity. An established critic can play a powerful role as a public arbiter of taste or opinion. Also, critics or a coordinated group of critics, may award symbols of recognition.

Examples of use of drama critic
1. Faculty adviser Mary Mazzocco said she was suprised when her drama critic announced he had joined the Army in 2000.
2. He was a theatre enthusiast who performed in plays and was a drama critic for his university newspaper.
3. Her aunt encouraged her to become a reporter for The Post, maybe a drama critic for the New York Times, maybe even a ballerina.
4. Upon the family‘s return home, Schlesinger entered Harvard, where he majored in history and literature and served as drama critic for the Harvard Advocate, the undergraduate literary magazine, for which he also wrote about jazz and politics.
5. The Financial Times described a ‘vocal few in the gallery‘ who objected to the nipples, and its drama critic looked in vain for a traditional plot, but he did admire the exuberance and ‘three smashing girls‘ in the cast.